Till next time.[/vc_column_text][/vc_column][/vc_row]
Till next time.[/vc_column_text][/vc_column][/vc_row]
I haven’t abandoned you! I’ve been working hard on a new project, and I’m in an art show this Friday so I’ve spend the last month finishing my 3 pieces for the show! (if you live in Ottawa you should come! Adults only though! Click Here for all the info!)
It’s been an awesome year with lots of new opportunities for me.
The new project I’m working on is an Erotic Art site. I have spent a long time debating about weather I should feature sexy pinups on this site, but after much thought I decided against it. I think good quality, sex positive porn is a wonderful thing, but it’s not for everyone. I don’t want to present sexualized images to anyone who has come here for my activism, strong female characters and funny animal comics. Not that strong female characters and activism can’t exist in the same world as porn, they certainly can, but I have a specific audience I want to appeal to with my erotic art, and I don’t think it’s the same audience who will enjoy the work on this site.
I will still be creating lots of work here, but I’ll be spending a little more time on my erotic art site as I build up my body of work.
I’m happy because now that I have a place for my erotica I can start filling this site with the amazing stories, characters and comics I’ve been sitting on all year, without worrying as much about what my “niche” should be. I’ll be a little more free here to post art which might not be marketable, but will be really fun to draw and share.
You won’t just find art on that site, but articles on my thoughts on porn, feminism, activism, sex, male gaze, and lots of other interesting topics that are bound to come up when a feminist draws porn.
So if you want to follow me over there too you can visit cutekink.com and all the appropriate social media links can be found there.
And if you want to come to the group Art Show I’ll be in this Friday the 8th of Janurary you can get all the info here
I hope you’ll still follow me here, as 2016 is going to be a very exciting year for art!
I was reading the Seven Ravens this week, and I realized it is extremely similar to another Grimm Tale, The Twelve Brothers. Not only that, but my husband had requested I do an illustration of the Six Swans, which shares elements as well. Each story has brothers turned into birds and a sister who must rescue them. But the similarities don’t stop there, let’s explore them in more detail.
Here we have three tales, each about a sister whose bothers are turned into birds.
In all tales the sisters are the heroes who save their bothers, but they are equally condemned for things that are not their fault. In the Raven tales it is the sisters who are blamed for turning their brothers into Ravens. For the swans this sister isn’t to blame for their transformation, but she is wrongly accused of killing her own babies.
In the Seven Ravens it is the brothers who bring about their own trauma with their over eagerness to bring home some baptism water. They lose their buckets in the well and end up very late. Their father cries out and curses them to become Ravens! The boys are turned into Raven’s simply for being late! Their sister has literally just been born, and couldn’t be more innocent if she was still in her mother’s womb. Yet she is blamed for their curse.
Even the town’s people blame her, as we see here “However, one day she accidentally overheard some people talking about her. They said that she was beautiful enough, but that in truth she was to blame for her seven brothers’ misfortune.” Strangers are blaming her for nothing else but being born!
The sister in the Twelve Brothers, suffers the same fate. Her only crime is being born and picking some flowers. It is her father, the King, who tells his wife if she has a girl he will kill all their sons so the daughter can inherit everything. Why does he do this?! He even prepares coffins for the sons! He has terrified his wife by threatening the lives of her sons if she bears a daughter, and brought her to constant tears. Nice guy.
When the Queen’s daughter is born the sons are pissed off and vow to kill any girl they see. How about killing any King they see? Since he’s the one who came up with the stupid situation in the first place.
After finding her brothers she innocently picks some flowers and the boys turn into Ravens. How could she have known this would happen? What’s so bad about picking flowers in your own garden?
In the six swans it is not the daughter who is too blame for her bothers transformation, but her stepmother. Later it is her new step mother (mother of the King she marries) who again tries to ruin her life! The stepmother attempts to convince the King his new wife has killed their new born children three times!
The daughter in the Seven Ravens, despite being blamed for ever being born, is the only one willing to go search for her brothers. When she finds them (after literally traveling to the sun, moon and stars) she cuts off her own finger to use as a key to open a mountain and find her lost brothers.
After finding out her brothers had run away because of her birth, she sets out to save them. After finding her brothers they live happily… for a while. When she accidentally turns them into Ravens by picking some flowers a random woman appears and starts telling her it’s her fault her brothers are ravens, and the only way she can save them is not to speak for seven years.
During this seven year span a Kings finds her and falls in love. Luckily, being beautiful is enough for a King, even if you can’t speak. So they get married and she lives with him for a while. But her mean, old, step mother (of course) hates her because she is beautiful, and convinces the King to kill her. She is tied to a stake and a fire is lit beneath her. As she is literally burning to death she still doesn’t say a word. The seven year mark arrives and her brothers are returned to their true form. They save her just in time. She didn’t speak for seven years even when being burned to death.
In the Six Swans the sister must knit six sweaters for her brothers in order to turn them back, but to make this task harder she is cursed so that she cannot speak. Like the daughter in the Twelves Brothers, a woman without a voice is a perfect match for a King, and one finds her and marries her. Perhaps they like wives who can’t talk back? In this tale we again have an evil step mother trying to kill the young girl. Luckily she finishes the sweaters just in time, saves herself and transforms her brothers back into human form (almost…)
So at the end of each tale the sisters triumphs and frees her brothers from the spells (one brother is stuck with a swan wing, but what can you do…) and the evil step mothers are either burned to death or boiled alive.
There are several interpretations I read of these tales. One interpretation I found was that these tales represent a time when sons would be sent to war, and would perhaps die, leaving the daughters to inherit the family wealth. But the daughters would be under the watch of their fathers, perhaps making reference to the Kings causing all the trouble in these tales?
There are other interpretations we can explore:
Though these are negative interpretations, but let’s not forget that the girls in these stories are badass heroes who save their brothers from their feathered fates. They work against all odds and show incredible strength and determination.
Why did I choose these stories to draw? I was definitely attracted to these stories because of their strong female heroes. But I also wanted to draw them because they all hold some very interesting visual elements, a flock of Swans, a murder of Ravens, and young girls fighting against adversity. I thought it would be striking to illustrate three different tales with very similar elements.
If you read my last post you’ll know that the Grimm tales were taken from oral folk tales passed from mother to daughter. When folk tales are passed around orally, the story tends to change like a game of telephone. Characters, settings and even the endings may change from person to person. I’m only exploring the Grimm Fairy Tales for this art series, but it the similarities between tales gets really interesting when you start to look at different writers from different cultures. I hope that’s something you’ll start to explore on your own.
Why are the Grimm Fairy Tales still so fascinating when they’ve been approached by so many artists already?
When a story is retold by so many different voices, it becomes more like a myth. We start to reinterpret it, looking for different meanings and adding in our own. I also like to think it’s because our society has a fascination with darkness (as much as we pretend we don’t). We love to know the deep dark origin of modern fantasy tales. We love these dark stories because, we know that the world is a scary place, and things don’t always turn out as you expected.
What is fascinating about these tales is not just that they are dark, they are also a surreal glimpse into the morals of the culture they came from. These fairy tales started as folk tales, told by women to their daughters, granddaughters and each other. They were warnings and guidance, as well as lessons on how to behave. The two Grimm brothers complied theses oral folk tales into a book. So we have stories that were created by women, but written down and reinterpreted by men. If we look at the Disney franchise we could easily say they have been retold by men again.
But the Internet is a wonderful place for artists, and so many women are retelling these stories in their own way. They are doing this through art, storytelling, costumes, doll making and all sorts of other mediums. It seems so fitting that women are retelling these stories in their own voices and exploring the versions written by men from a female perspective.
The fascination has caught hold of me too. I have always loved these dark stories, so I’m starting an Art Series inspired by the Grimm Fairy Tales. I want to focus on the tales that have a female lead, or at least a female who has a strong supporting role. In these drawings I will linger on the darker aspects. I hope to point out the parts of these tales that are so strange, they don’t quite seem to work out well for any of those involved. I hope to be inspired by the original dark tales of the Grimm Brothers, while bringing my cute cartoony style and my female voice into the visual conversation.
Which Grimm Tales do you love the most? Do you have a story or character you’d like to see me tackle? Let me know in the comments section below! I’ll be posting some sketches of my first illustration next week. There will be updates here on my blog, but be sure to follow any of my social media accounts to see sketches, progress pics and the occasional shot of me working hard in my little living room studio. 🙂
I love everything about October. Autumn leaves, cool temperatures, warm spicy beverages, and of course Halloween!
I wanted to create a fun little Halloween girl to brighten up these darker days. When I finished her I realized she’d make a perfect desktop background! So click on the link at the bottom of this post to get a Free Wallpaper of this Spooky Girl to keep you company while you work!
I can’t believe I still hear this buzz term being thrown around. I find it a little disheartening that so many women still don’t see the problem with it. I understand the sentiment, but saying that there is a “real woman” means that there is also a woman who isn’t real. Who, then, is this fake woman parading around acting like she is “real”?
I get that it’s about women’s bodies, but that’s even more reason not to use the term “real”. For a long time women who didn’t look like 16 year old supermodels have been made to feel inadequate. Women have been held up to a standard that is impossible to reach. But those slender 16 year olds are still women, and they didn’t make the choice to look the way they do. What about the 16 year old girl who could be a model but doesn’t want to be? The skinny teen girl who likes wearing baggy t‐shirts and shorts and stick her nose in a book? Are we telling her she’s not “real” because she happens to look like the current female ideal?
What about Trans Women? When we say “real women” what are we saying about trans women? When we live in a world were some women were not biologically born as women. So is the term “real” even appropriate anymore? Real seems to denote that a woman has certain qualities (curves, blemishes, small breasts, female reproductive organs) while “fake” women have other qualities (no curves, no pores, no body hair).
So I don’t draw “real women”, but I do draw women with vastly different body types, backgrounds and gender identities. I love strong, complex, female characters. I want to see more of these characters represented in stories. But I won’t empower some women, by disempowering others.
I recently saw the documentary Amy, about the late Amy Winehouse. If you weren’t an Amy fan before you will be after watching it. It’s a very sympathetic, as well as tragic, look at her life, her fame and the abusive people surrounding her (her parents included) which lead to her early death. Today would have been Amy’s 32nd Birthday. Happy Birthday Amy, here is a portrait for you.
My friend and fellow artist Constanza gave me a challenge on twitter to draw a Nymph. I love drawing creatures from myths and legends so I jumped at the chance. My first drawing was a wood nymph, but after one I couldn’t stop, so I decided to do one for each of the 4 elements. The wood Nymph has turned into an Earth Nymph and joined her other elemental sisters here.
I love Game of Thrones. I got hooked on the first season of the show, then went back to read the Song of Ice and Fire series. I’ve wanted to draw some GoT fan art for a while, and with the new TV season starting it seemed like a perfect time. Instead of drawing actual characters from the series I thought I’d try something a bit different in the way of “fan art”. Here are six Gothic Lolita outfits inspired by some of the first houses introduced. The colors I used are the house colors, so as much as I wanted to draw a Targaryen outfit inspired by Daenerys’ white hair and purple eyes, I restrained myself! Enjoy!
I’m starting a new feature on my website called Artist Crush where I will interview an artist I love, and draw a Fan Art of them! I want to really engage with the other artists and have some interesting conversations about their art and the creative process.
My first Interview is with the Illustrator and Comic Artist Gabby Good, from Denver, Colorado. She has recently launched her webcomic Die Erste Leibe, which is a beautifully rendered dark tale of Love and War.
My never ending love affair with art began when I first laid eyes on the strange animated style of Pokemon and Sailor Moon at 8 years old. I had been obsessed with American cartoons from the 1930s and up, but it was when I discovered Japanese Anime that I truly began my obsession with creating art. It’s literally all I do. In my free time I write and attempt to read and game when time allows. I study different mythologies and religions to incorporate into my world as well. My life is built around building my outrageous imaginary universe!
I actually don’t have a preferred medium! I love working in all sorts. I’ve dabbled in the ever so difficult mediums of oils, acrylics and pastels. I started with colored pencils and have a fondness for them. For the longest time digital was my choice until I started to realize I wasn’t growing with experimentation. After that I went with ballpoint pen, inks and pencils and have switched around a lot since. Ultimately I love to paint digitally since I have endless colors to blend and work with, but nothing replaces the feeling of putting the pen to paper and having that personal connection.
Sometimes I find this kind of awkward to admit. I was never big into comics until I got into TPB’s and graphic novels in my early twenties. But the comics that really inspired me were Sandman, Watchmen, V for Vendetta, Tank Girl and of course lots of manga and anime as a teenager.
However my biggest influence was actually the video game series Final Fantasy. It was everything about it that inspired me to write the comic I’m currently making. From the story, to the art, to the music itself, FF is the main reason I write and create. Hayao Miyazaki is the reason I want to get into animation and make my own hand drawn films. Surprisingly enough, growing up in a very strict Christian household in turn influenced my work though not in a way most would expect.
I won’t give away much, since this is just the very beginning of a very dark, convoluted series. But Die Erste Liebe is my attempt of showing a surreal world I’ve been building since I was 9. Despite my own personal protest, it is a love story, yet not the kind most people see. I do my best to show the very innocent love between the sweet,romantic Nephilim Makenshi, who dreams of becoming a hero of legend, and the cold, abrasive and extremely violent daughter of Death Night, who knows nothing of dreams or living a life of her own choosing.
I feel with most love stories the dynamics between male and female always seem to be the same, so I wanted to show the story mostly from Makenshi’s perspective and how he falls so madly for Night. He’s not meant to be a big macho hero or fall under typical male archetypes. He’s just a kid who’s literally found the girl of his dreams under horrendous circumstances. The development of their love is as sweet as sugar, but of course, there is a horrible price to pay for loving the child of a God, so don’t expect things to be happy for long.
Fun fact, I don’t have an intended audience. Okay that’s not entirely true, but since this is my first endeavor, my main concern is proving to myself that I CAN do comics, that I can commit to this.
Outside of that selfish motive I suppose my audience will be geared towards the current female market that is hungry for comics where the women hold a greater stance than the men. My comic is filled with women of all types that are strong powerful figures that girls can admire and aspire to be. In all honesty, anyone who loves a deep convoluted story, absurd yet depth-filled characters and lots of violence will enjoy my comic. It’s not for the faint of heart or for those looking for the same troupes and same crap. Its for the reader who seeks something strange and unusual.
Art by Gabby Good
When writing this I wanted something simple since the love between the characters is that way. The First Love seemed to be the best choice for a fairytale, since it does depict these two children experiencing what could be known as love for the first time, but I figured in English it seemed pretty cheesy. So I went through a few different languages including, French, Japanese, Arabic, Russian and Latin before landing on German. It felt best, and although I don’t have German in my comic I like the way it rolls off the tongue. I like making my titles in different languages. I’ve found it certainly piques the interest of most.
Art by Gabby Good
The biggest struggle in making this comic was myself. Back in August of 2014 when I first moved to Denver I had made a new commitment to improve my art and write again. I had just written the follow up story to this comic and had a few people read it with mixed reviews. Many also misconstrued a lot of my intentions, including the romance between Night and Makenshi. Upset at that, I set up in October to finally tell the tale I had been writing since I was a wee lass in a more proper format: a web comic.
I had no bloody clue what I was doing.
Ultimately frustration at myself and what I wasn’t able to draw was what really set me back. That and seeing my peers so far ahead of me was nerve wracking. A lot of times I had to take a step back and SEE what I had accomplished. In less than a month I wrote six scripts, in another I finalized concept art but when I got to my pages my self doubt crept up and I began to question all of my intentions and motivations. But through the assistance of the friends I made in the online web comic community and their constant support during my weakest moments allowed me to push forward with no regrets. Looking at it now I feel silly for ever doubting myself and what I know is good work, but as artists we are our own worst enemies.
Art by Gabby Good
Thank you~! This was something I had wanted to do for years but had no clue if it would fit the mood of the comic or anything initially. I was reading a lot of Frank Miller (obviously) when doing the initial concept art, and his mastery of black and white work really influenced my work as well. I wanted to capture the same use of negative space but give it a more paintery feel.
My attempts with cel-shading were far too time consuming and not fun at all, and traditional inking proved far too costly. But once I started to loosen up and not go for a more perfected look I began to enjoy my results. I wanted certain colors to really pop and help set the mood and create proper emotion, as well make certain characters stand out too. Adding those splashes of color for every characters personality is just so enjoyable to me since colors are very symbolic, especially with the eyes.
I think going this route has in turn allowed me to stand out amongst the crowd as well. I will never deny the obvious influences Miller has given me, (hell I hope one day I can shake his hand and tell him thanks) but I think I’ve been able to shape it in a way to make it my own. It’s a style I never thought I can do but now cannot live without. It’s so fun~!!
Art by Gabby Good
I’m pretty elusive however you can find me at the following from most active to least active :
My comic links~
Comic Fury: http://dieersteliebe.thecomicseries.com/